![]() Suzuki’s Columbia University class, to his blossoming into a force of the mid-century avant-garde, Larson traces Cage’s own journey as an artist and a soul, as well as his intermeshing with the journeys of other celebrated artists, including Marcel Duchamp, Jasper Johns, Yoko Ono, Robert Rauschenberg, Jackson Pollock, and, most importantly, Merce Cunningham. ![]() Fifteen years in the making, it is without a doubt the richest, most stimulating, most absorbing book I’ve read in the past year, if not decade - remarkably researched, exquisitely written, weaving together a great many threads of cultural history into a holistic understanding of both Cage as an artist and Zen as a lens on existence.įrom his early life in California, defined by his investigations into the joy of sound, to his pivotal introduction to Zen Buddhism in Japanese Zen scholar D. ![]() Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists ( public library) is a remarkable new intellectual, creative, and spiritual biography of Cage - one of the most influential composers in modern history, whose impact reaches beyond the realm of music and into art, literature, cinema, and just about every other aesthetic and conceptual expression of curiosity about the world, yet also one of history’s most misunderstood artists - by longtime art critic and practicing Buddhist Kay Larson. But what, exactly, is good music, or good living, or, for that matter, goodness itself? “Good music can act as a guide to good living,” John Cage (September 5, 1912–August 12, 1992) once remarked.
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